DREI SÄULEN MIT TUCH (2026): Oil on canvas, 40 x 40 cm

TAGNACHT PALME (2026): Oil on canvas, 80 x 130 cm

ZWEI PALMENWESEN (2026): Oil on canvas, 120 x 90 cm

SÄULEN, PALMEN, TÜCHER (2026): Oil on canvas, 50 x 40 cm

PALMENTUCH (2026): Oil on canvas, 50 x 40 cm

ZWEI PALMEN (2026): Oil on canvas, 50 x 40 cm

LEICHTENDE PALME (2026): Oil on canvas, 40 x 40 cm

AUSEINANDERGERISSEN (2026): Ungebrannter Ton, Acrystal, Lack

LOSLASSEN (2026): Ungebrannter Ton, Acrystal, Lack

ROOM OF MEMORIES (2026): Oil on canvas, 90 x 120 cm

UNTER DEM TUCH (2025): Charcoal and oil on canvas, 90 x120 cm

KELCH UND STRÜMPFE (2025): Oil on canvas, 90 x 120 cm

NATURKRÄFTE (2025): Charcoal, oil and pastels on canvas, 90 x 120 cm

HANDS ARE TIED (2025): Charcoal and oil on canvas, embroidery, 170 x 120 cm

DER HÄUSLICHE BEREICH (2024): Mixed media, 190 x 150 cm

NACHTAUGEN (2024): Charcoal and oil on paper, 102 x 72 cm

BRÜCKENPFEILER (2024): Charcoal and oil on paper, 102 x 72 cm

RETTUNG DES ZEUS (2024) / GAIA, URANOS, TITANEN (2024): Charcoal, oil color, paper, 72 x 102 cm

ERKLÄRUNGSVERSUCH 1 (2024): Pastell and oil on canvas, 200 x 130 cm (diptichon: 400 x 130 cm)

ERKLÄRUNGSVERSUCH 2 (2024): Pastell and oil on canvas, 200 x 130 cm (diptichon: 400 x 130 cm)

AUF GLEISSENDES LICHT TROPFT DUNKELHEIT (Nora Dubach) (2024): Oil on canvas, 60 x 40 cm

UNWICHTIGES RIESELT DURCH DIE ZEIT (Nora Dubach) (2024): Oil on canvas, 60 x 40 cm

VERGANGENHEIT, GEGENWART, ZUKUNFT UND ZURÜCK (2023): Oil on canvas, 20 x 25 cm

TIERMENSCHENPFLANZE (2023): Oil on canvas, 20 x 25 cm

SUBLIME FUCKED UP FUTURISM (2023): Oil on canvas, 100 x 170 cm

RISE AND FALL (2022): Embroidery, paper, oil on canvas, 150 x 190 cm

PROCREATION OF THE TRICKSTER (2021): Oil and pastels on canvas, 120 x 170 cm

DOUBLING OF THE TRICKSTER (2021): Oil and pastels on canvas, 120 x 170 cm

MEXICO WITH GHOST TREES (2021): Oil on canvas, 190 x 150 cm

ARCHIVE II (2021): Oil on canvas, 70 x 40 cm

ARCHIVE V (2021): Oil on canvas, 70 x 40 cm

VIEW TO THE WEST (2020): Oil on canvas, 150 x 190 cm

EMBRYO (2020): Oil on canvas, 190 x 150 cm

THE ABSENCE OF THE WILD (2018): Oil on canvas, 190 x 150 cm

BETONPFLANZEN (2015): Oil on canvas, 100 x 160 cm

SEVEN FAT YEARS (2016): Oil on canvas, 110 x 200 cm

PERU POOL (2014): Oil on wood, 110 x 170 cm

MUNIA UXOREM (2025): Woodcut and Watercolour on oil painting, fabric, Acrystal, plaster, 130 x 183 cm

DICHTE BESCHREIBUNG 1/2/3 (2023): Woodcut and Watercolour on oil painting, 72 x 102 cm

DICHTE BESCHREIBUNG 4 (2023): Woodcut and Watercolour on oil painting, 72 x 102 cm

Detail DICHTE BESCHREIBUNG

FLUIDITY 1 (2021): Woodcut and watercolor on oil painting, 120 x 190 cm

FLUIDITY 2 (2021): Woodcut and watercolor on oil painting

FLUIDITY 3 (2021): Woodcut and watercolor on oil painting

FLUIDITY 4 (2022): Woodcut and watercolor on oil painting

FLUIDITY 5 (2022): Woodcut and watercolor on oil painting

Detail FLUIDITY 5

UNTERDRÜCKUNG (2021): Plant cover, embroidery, paper, chinese ink

ZWEI TORE (2023), front side, velvet, chiffon, leather, fringed border, 150 x 200 cm

EISERNES HAUS (2023): Fabrics, leather, 250 x 200 cm

LE RACINAGE (2023): Canvas, dyed ropes, 300 x 200 cm

TOTEMETOT (2022): Wood, Fure, Stones, clothes, plastic chains, satin, cables, linen, 250 x 260 cm

Exhibition view: 180 Assembly, Zürich, PLANET SYMBIOTICA (2022)

WOMEN AT HOME (she has seen better days) (2022)

Exhibition view: 180 Assembly Zürich, SEIDENMUTTER, SYMBIOTIC BEING 1 (2022)

WOLKE 1 / 2 (2021): Mixed media, 150 x 190 cm / 190 x 150 cm

TRANSFORMATION (2019): Silk, velvet, concrete, dye, chinese ink, stitched hemp

Installation view: ANCESTOR (2019), JULIA, Zitrone Manegg

FUTURE LANDSCAPES 3 & 4 (2026): Wool on strain, 22 x 22cm

TOTENKLEID (2023): Embroidery

TOTENKLEID (2023): Embroidery

Detail: TOTENKLEID (2023)

Exhibition view: Stitches. Home as Composition, Krone Couronne, Biel/Bienne, #amazingsunset 1-9, embroidery on stramin (2021-22) ©Nicolas Delaroche Studio

DISSOLVED 1 (2018)

DISSOLVED 1+2 (2018/2019): Wool on jute, acryl

VOLCANO 1 (2018)

VOLCANO 2 (2018)

HOUSE ON A ROCK 1 (2018): Stitched cotton on stramin

SCHÖNE ABGRENZUNG (2024): Paper, oil color, Acrystal, clothes rack, paper, chinese ink Variabel dimensions

LE RACINAGE 2023 (mit Elzara Oiseau)

WALL SCAR (2023): Wood, textile, Acrystal

PESCHIERA DEL GARDA (2022): Wood, fabric, Acrystal, egg tempera (detail)

TWENTY LAYERS WHITE AND BLACK, ALTERNATING 2 (2021): Gesso, Indian ink on canvas

TWENTY LAYERS WHITE AND BLACK, ALTERNATING 1 (2021): Gesso, Indian ink on canvas

PYTHIA & PENELOPE (2020) (linke Seite Nathalie Diserens, rechte Seite Esther Haldemann)

Detail PYTHIA & PENELOPE (2020)

Installation view: AKKORD, (2020), PAPERWORK / Zürich Manegg

Wiedereröffnung KÖRPER.BADEN.FLOW, Bad im Raben, Baden. New edition of GUTTATIM (2020)

Installation view Softening the Margin: FLOORPRINTS (2016): Chinese ink on paper

Installation view Softening the Margin: FLOORPRINTS (2016): Chinese ink on paper

FLOORPRINTS (2016): Chinese ink on paper

PLANET SURFACE (2016): Concrete, pigments

ENTER THE WALL (2016): Wood Polyester, acrylic paint